Canon Female Photojournalist Award 2018 winner announced

A well-dressed young woman with a large handbag stands facing the camera wearing a VR headset and earphones, completely absorbed, while everyone else in the room is facing the opposite direction.
At a happy-hour event, "This woman put on her VR glasses and then one of the people from the firm decided to give a little talk in the other room," recalls photographer Laura Morton. "Everybody turned to look at the talk, and nobody tapped this woman on the shoulder to let her know, so she's just immersed in her own world." Taken on a Canon EOS-1D X with a Canon EF 24mm f/1.4L II USM lens. © Laura Morton

Laura Morton, a freelance documentary photographer based in San Francisco, USA, has been announced as the winner of the 2018 Canon Female Photojournalist Award.

The award, which is in its 18th year, provides €8,000 of funding towards a new project, which will be exhibited at the 2019 Visa pour l'Image photojournalism festival.

Previous winners have focused on topics such as female former FARC guerrillas in Colombia, the segregation and oppression of Pashtun women in Pakistan, and military sexual assault survivors in the US. But Laura's winning proposal, University Avenue, is something a little different.

A young man wearing glasses, a casual shirt and jeans sits in a garden chair on a flat rooftop working at a laptop computer. The rooftops of suburban San Francisco are behind.
A young programmer works on the roof of the house he shares with around 45 people in San Francisco, a former single-room occupancy hotel that had been vacant for several years before being taken over by the co-living community, which includes many start-up entrepreneurs. Taken on a Canon EOS 5D Mark III with a Canon EF 50mm f/1.2L USM lens. © Laura Morton
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Her new project is named after the road that acts as a fault line between two very different worlds in her home town. "University Avenue begins at the elite Stanford University, runs through the perfectly manicured downtown Palo Alto, past the mansions that tech executives call home, and then crosses Highway 101," she explains.

"After that, though, things immediately look different. The road continues through the heart of East Palo Alto, past small homes, businesses and community organisations and ends at the Bay, right next to the Facebook campus. My goal in documenting the lives of those who live and work along this street is to put a human face on income inequality and to illustrate how one community can be left behind while being surrounded by so much wealth."

The figures on inequality are inescapable: government statistics show that the per capita income in Palo Alto is $77,419 while in East Palo Alto it's just $18,675. "Palo Alto is one of the richest towns in the country," Laura notes. "The CEO of Apple is there, Mark Zuckerberg lives there. But on the other side of the highway, 18% of the population is living below the poverty line."

"I got the idea one day when I was driving on Highway 101, coming back from Silicon Valley," recalls Laura. "There's a sign announcing the exit for University Avenue that says Palo Alto one way, East Palo Alto the other way. These two towns right next to each other have vastly different economic realities, and I realised this would be a good way to highlight this income divide concisely."

Three casually dressed young men stand holding drinks and cigarettes in the backyard of a fraternity house, with assorted garden chairs, discarded carboard, an old mattress and other objects strewn around.
Young entrepreneurs from France take a break in the back yard of a fraternity house in San Francisco where they were sleeping that night. To save money, like others, one of them couch-surfed for the summer instead of renting an apartment. Taken on a Canon EOS-1D X. © Laura Morton

The new project marks a natural progression from Laura's previous series, the award-winning Wild West Tech, funded by a grant from the Magnum Foundation, which explored the tech industry culture in San Francisco and Silicon Valley.

"That project was aimed at documenting what I saw as a modern-day gold rush," says Laura.

"People were coming from all around the world with an idea but no money, living the dream for a couple of months, and then flaming out. For example, I photographed some guys who were couch surfing the whole summer while they were working on their app. One night, they had to sleep in their co-working office because they didn't have money for anywhere else. I felt that side of things was being overlooked by the media and needed to be documented, as an important moment in the history of this boom-bust town."

Laura sees this not just as a local issue, but a pressing national one. "In America, the gap between rich and poor is the largest since the Roaring Twenties," she says. "Since the 1970s, inequality has been growing and it's estimated the top 1% now controls almost as much of the nation's wealth as the bottom 90%."

Laura is grateful for the prize that will enable her to bring this important issue to light. "More subtle stories, as economic issues often are, often take immense amounts of research and time in the field to tell properly," she points out. "So I'm very thankful to Canon for sponsoring this award, which will give me the opportunity to dive in and give this project the time it needs."

Yazar Tom May

Laura Morton's kitbag

The key kit pros use to take their photographs



Canon EOS-1D X

The EOS-1D X combines speed with image quality, to create the next generation camera for professionals. Full frame 18 megapixel sensor with Dual "DIGIC 5+" processors sets the standard, and up to 12 frames per second shooting takes it beyond.

Canon EOS 5D Mark III

A full-frame 22.3MP DSLR with 61-point autofocus and 6fps continuous shooting, this camera offers manual control over everything, plus a builtin HDR mode.


Canon EF 24mm f/1.4L II USM

This fast aperture wide-angle lens was the first to feature Canon's subwavelength structure lens coating to minimise ghosting and flare, while UD and aspherical elements eliminate distortion and aberrations, for crisp results.

Canon EF 50mm f/1.2L USM

With its incredible f/1.2 maximum aperture and ultrasonic autofocus, this super-fast lens is a consummate low-light performer.

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